Cremona

Cremona is a city in northern Italy that is known for its musical traditions, and especially as the birthplace of some of the greatest luthiers, or violin makers, such as Stradivari, Guarneri, and several generations of Amati. This reputation, along with magnificent collections of well-preserved instruments by those makers, are a magnet for visitors like myself who play bowed-string instruments.

Click on any image to enlarge

The Duomo of Cremona faces the town square (Piazza della Comune).
Construction of the Duomo was begun in 1107.

Facing the same Piazza are the bell tower, baptistry, and town hall. The bell tower is joined with the cathedral through a loggia, and was erected between 1267 and 1305. The astronomical clock was built 1583-1588 and depicts the vault of heaven with the zodiacal constellations.

Construction on the baptistery was begun in 1167.

The Town Hall was founded in 1206 and enlarged in 1245, with some modifications in later centuries.

A bronze statue is a tribute to Antonio Stradivari in Piazza Stradivari

The entrance to the Museo del Violino

Antonio Stradivari cello "Stauffer - ex Cristiani" 1700

Here is a recording of this cello from the Museo del Violino. Click HERE.

Stradivari guitar "Sabionari" 1679

This guitar and the following 1566 Amati violin are featured in a performance recording from the Museo. Click HERE to view.

Andrea Amati (ca. 1505-1577) violin "Carlos IX" ca. 1566.

Notice the remarkable one-piece back. It's rare that a maker can find a single piece to serve as the back. Most are made by joining two pieces. There are many examples of one-piece back violins in the collection

Giuseppe Guarneri "del Gesù" (1698-1744) violin "Stauffer" 1734:

Violin by Stradivari "Hellier" (1679) with elaborate purfling inlay:

I took a break at noon to hear a recital in the beautiful auditorium at the Museo. Lena Yokoyama performed solo on the Stradivari "Clisbee" 1669 violin. The instrument had been placed on a cloth-covered table for her. She did not walk in or out with the violin. At the conclusion of the recital, she placed the fiddle back on the table as the armed guard quickly moved into place at the table. A museum official entered soon after to remove the violin in a case.

After visiting this astonishing collection of instruments at the Museo del Violino, there was one more thing to see in Cremona. Here is another painting by Caravaggio, at the Museo Civico. In contrast to the Caravaggio paintings in Rome and Florence, which attract huge crowds of tourists, this museum is little known. I was able to sit in a comfortable lounge chair in front of the painting alone with no distractions.

Caravaggio, St. Francis in meditation, early 1600s

Florence and treasures of the Renaissance #2

Santa Croce

This Franciscan church is the burial place of some of the most illustrious Italians. Here are the tombs of Michelangelo, Galileo, Machiavelli, Rossini, and Marconi, inventor of the radio. Works of art by major figures adorn the interior.

The altar of Santa Croce

Standing before the tomb of Gioacchino Rossini

Here is the piazza below my apartment. The apartment is directly above the arch in the center background. A fruit and vegetable stand sets up every morning. The butcher shop is in the building behind, on the right. There are restaurants and bars, and most important, a gelato shop.

For two weeks I crossed this piazza daily and walked five minutes to attend Italian language classes at the ABC Centro di Lingua

On my way to school I passed by this apartment building. It's curved shape indicates that it was an ancient arena.

View of Florence and the Arno River. Santa Croce church is at center right. The Duomo, or cathedral, is to the left, then Giotto's tower and the Baptistry. Far left is the Palazzo Vecchio.

The Duomo and Giotto's Campanile. Construction on the Duomo began in 1296 and lasted until 1436 with the completion of the dome designed by Brunelleschi. The campanile is 278 feet tall and was begun in 1334 when Giotto was 67 years old. 

Side view of the Duomo showing Brunelleschi's dome:

Detail of the marble carving on the façade:

Interior of the Duomo. Note the elaborate paintings of Brunelleschi's dome, and the marble inlaid floor. Otherwise, the is little decoration inside the church.

Santa Maria Novella church, with local guide Viviana. The first stone was laid in 1279. The lower part of the façade was decorated in green and white marble in 1350; the upper part was completed in 1470

The crucifix is by Giotto (1267-1337) first appears in documents in 1312, so probably was made at the end of the 1200s, later restored in the 1980s

Fresco by Massaccio (1401-1428), Holy Trinity (1425-26)

Final view of Florence from the Bardini Gardens

Next stop on the Grand Tour: Cremona

Click HERE for Cremona

Florence and treasures of the Renaissance #1

What a thrill to arrive in Florence for a 17-day visit. So much to see, so much to do! So I start with the Uffizi Gallery. Here is a view of the Ponte Vecchio spanning the Arno River as seen from the Uffizi. Click on any photo to enlarge.

The Uffizi is home to great sculpture and paintings of the ancient Greeks and Renaissance Italians. The Medici family collected and commissioned the items in the gallery.

Bacchus with grapes, Greek marble, 1st-2nd century CE, with 16th century restorations:

Giovanni Caccini (1556-1613), Hercules and Nessus. 

This piece has been in the same location since 1595:

Cupid and Psyche, unearthed in a garden on the slopes of the Celian Hill in Rome in 1666. The work, which can be dated to the second half of the 2nd century CE, is a Roman interpretation of a Hellenistic original developed in the late 2nd century BCE:

Paolo Uccello, The Battle of San Romano, ca. 1435-40:

One wing of the Gallery, lined with sculptures, and ceilings covered with elaborate paintings.

Sandro Botticelli, Spring (late 1470s or early 1480s):

Botticelli, Birth of Venus (ca. 1485):

The Accademia Gallery is a smaller museum than the Uffizi and houses several sculptures by Michelangelo (1475-1564), including his David and many unfinished pieces.

Michelangelo Pietà

Michelangelo, Prisoner, unfinished work for the tomb of Pope Julius II

The Accademia contains a collection of historical musical instruments.

Here is a cello by Nicolò Amati from about 1650

Tenor viola 1690 by Antonio Stradivari:

By now, I am suffering from Stendhal Syndrome.

Marie-Henri Beyle (1783–1842), better known by his pen-name Stendhal, was a 19th-century French writer. Best known for the novels Le Rouge et le Noir (The Red and the Black) and others.

In 1817 Stendhal was reportedly overcome by the cultural richness of Florence he encountered when he first visited the Tuscan city. As he described in his book Naples and Florence: A Journey from Milan to Reggio:

As I emerged from the porch of Santa Croce, I was seized with a fierce palpitation of the heart (that same symptom which, in Berlin, is referred to as an attack of the nerves); the well-spring of life was dried up within me, and I walked in constant fear of falling to the ground.

The condition was diagnosed and named in 1979 by Italian psychiatrist Dr. Graziella Magherini, who had noticed similar psychosomatic conditions (racing heart beat, nausea and dizziness) amongst first-time visitors to the city.

In homage to Stendhal, Trenitalia named their overnight train service from Paris to Venice the Stendhal Express.

Click HERE for the next page on the Italian tour